Bill Witherspoon's Sri Yantra in the Desert Modifies Fertility, Climate..... and Gravity??
-also see the parallel anthropological evidence- lack of permission to touch / lack of contact permissive symmetry in cultural laws CREATES DESERTS:DESERTIFICATION, Patriarchy and "Hard-Making Power"-Politics that Prevent Touch - Prevent RAIN!

The PHIRICAIS Theory hypothesizes that long paramagnetic structures properly embedded in the land will not only affect fertility, climate, and consciousness - (witness the next article here- Giant Paramagnetic SRI YANTRA transforms desert? ) - but also - STABILITZE GRAVITY and ATMOSPHERE - by installing the charge symmetry of implosive compression. ( Microgravity site measurements are called for. )

Self organization from the projective geometry of CHARGE = emergence = immanence = flow of similitude.

More on HOW the Sri Yantra = the charge shadow of 9 concentric THREE DIMENSIONAL Golden Ratio tetra forms the slip knot for the heart, hydrogen, & Sun - at goldenmean.info/sriyantra - 3D Sri Yantra of Embedded Golden Triangles holds Slip Knot Seed for perfect Anu/Heart/Sun Coeur?

below is a limited exerpt from Bill Witherspoon's ( bwith@theskyfactory.com , www.theskyfactory.com ) -SRI YANTRA IN THE DESERT - "Art as Technology" paper:
(in the below - highly alkaline soils are likely hi in paramagnetic limestone based material)

III 1990: Oregon Desert Sri Yantra (Fig. 3-6)

In the summer of 1990, a group of friends, one of my sons and I went to a remote alkali lake bed in the high desert of southeast Oregon to inscribe a large Sri Yantra in the earth. It was to contain a central point large enough to live in. The site was chosen because of its beauty and remoteness. Almost no one, except a few ranchers, ever went there. Inscribing lines in the alkali surface would not disturb any vegetation and it would be a transitory event, eventually disappearing back into the surface through the natural action of wind and the occasional water that floods the lake bed every few years.

The design was made without machines or modern tools except binoculars and a simple hand plow. We used only ancient principles of geometry and long wires and sharpened poles as tools. When completed it was 1/4 mile across, covered over forty acres and contained over thirteen miles of lines. The lines, plowed with an old fashioned garden cultivator pulled by three crew members and steered by the fourth, were about four inches deep with the hard alkali crusted dirt cast to both sides of the furrow.

During construction, we were careful to minimize the disturbances to the land. We chose to walk several miles daily from camp to the site rather than use vehicles, and refrained from using other motorized devices such as a tiller. We did not want to leave tracks or other marks, not to preserve anonymity but out of respect for the purity of the process.

Construction of the Sri Yantra took ten days to complete. As soon as the last line of the design was plowed, heavy clouds began to collect in the south. Within an hour, our valley was filled with high winds, intense lightning strikes and about 1/2 inch of rain. The result of this storm was that all traces and tracks from our working were dissolved. Like a finished painting, it was as if the surface had been varnished. Remarkably, the lightning and the rain were limited only to the small valley where we were working, a fact that was the source of much speculation by a nearby rancher who wanted the rain on his land.

In the three weeks that followed, I lived in the nine-foot central circle of the Sri Yantra. During that period and on several occasions during the following years, other people and I observed remarkable changes in the workings of Nature within the design and in the valley where it was situated.

One of the more interesting subjective changes was a modification of the "feeling" within the valley. While a difficult parameter to describe or measure, this change in feeling was noted by ranchers and other people who have known the area for a long time. People reported experiencing qualities of energetic peacefulness, harmony with nature and enhanced intuition when they were in the design and valley. Another influence was a radical change in the quality of meditation that would repeatedly occur if individuals moved a few feet out of the central circle into the innermost triangle of the design or vice versa.

Changes in the environment were also observed. Within the design, which had been inscribed in highly alkaline silt, incapable of supporting any kind of vegetation, there were remarkable changes in the direction of increased fertility.

Two years after construction, even though the lines were disappearing, the structure of the soil had changed from a highly compacted mixture of silt and salts to a loose, crumbly soil that smelled and tasted more like normal soil. The surface of the soil was also significantly changed. Instead of the flat, layered and often cracked surface that had characterized the lake bed before inscribing the Sri Yantra, the surface became "rumpled;" formed into a three dimensional configuration of regular ridges and valleys that arranged themselves in the pattern of hexagonal close packing, much like an egg carton. The pattern was caused by modification of the surface soil into a physically expanded, more adhesive and resilient material.

Both of the soil changes were due to an extraordinary proliferation of soil microorganisms and the resulting increase in soil organic matter. The soil changes were limited to the forty or so acres of the design and were most pronounced in its center.

In other respects, the entire fifty square mile valley was different. The ranchers noticed a continued increase in the valley's rainfall. This was accompanied by increased vegetative growth, as well as increased populations of several plants and three animals species that were not previously common in the valley.

Because of these observations, I began to speculate about possible mechanisms by which the geometric structures might bring about change. The most interesting observation was that there appeared to be an inverse correlation between the gradual disappearance of the design as it melted back into the lakebed and the increase in the presence or influence of the enlivened laws of Nature. Other analogous situations seem to exist as in Homeopathy, where increasing levels of dilution are said to represent or impart increasing levels of strength. An even more striking parallel may exist with the principal of Sangyama. Sangyama, as described by the Indian Rishi, Patanjali, is a process in which the mind generates an impulse at the deepest level of consciousness and then allows that impulse to settle back into the field of pure undifferentiated consciousness from which it had been drawn. The result of this process is the appearance of a new impulse that has enormous power and direct support of fundamental forces of Nature.

The construction of the Sri Yantra was also accompanied by other events that gave rise to new understandings about how Nature might operate. Going into the valley for the first time, I was driving the converted bus and towing a pickup truck. We stopped and I got out to open a barbed wire gate. Sitting on the gatepost was an adult golden eagle. The eagle looked at me squarely, swished its tail back and forth several times, dropped a tail feather and flew off. In the next several weeks, I had occasion to go through the same gate many times and there was no eagle. Then, on my homeward trip, as I passed through the gate for the last time, a golden eagle was sitting on the same gatepost. It waited for me to get out of the bus, looked at me squarely, swished its tail, dropped another feather and flew off.

Back home, several weeks later, the National Guard discovered the Sri Yantra and the media, not knowing its origins or implications, created a greatly exaggerated hoopla. I was in a position of deciding to speak publicly about the project or remain anonymous. In order to clarify the rapidly growing misunderstandings, I decided to speak publicly. Immediately upon making that decision, I walked outside my rural Iowa home and looked up into the sky. Directly above the house were fourteen circling bald eagles.

A year later, I had occasion to tell this story to a Vedic scholar. He told me of a traditional yagya, or ceremony, infrequently performed in India to honor the Divine Mother, which is considered to have been successful only if it results in the appearance of an eagle. Finally, these events, related to several Native American elders and medicine people, elicited in-depth explanations of the ways Nature communicates. - end exerpt quote from Bill Witherspoon

1. Reduce Metals in Land Environment (Bleeds Capacitance / Bonds created in man made metals lack harmonic inclusiveness / fractality - the context rich embedding of charge which can focus water vapor).Exception - optional -a bit of gold or palladium at the core of your magnetic rose.

2. Learn basic dowsing / Make a magnetic map.(of tha major magnetic lines thru the property and buildings). If you cannot FEEL magnetism - ultimately you cannot feel.

3. Use paramagnetic stone to 'lens' (bend and focus) the magnetism into fractal (rose) like patterns to attract charge - implosion precipitates rain. (Examples below - labyrinth and stone circle).

4. Align the stone circle and labyrinth construction made of PARAmagnetic materials.. properly 'embedding' them on the ley magnetic lines.

5. Optional - spectrum analyze (harmonic analysis) to note where the weak inductive and capacitive fields are most harmonically inclusive (sacred) - to tune and perfect the magnetic wind harp which is your land.

6. Use materials which hold capacitive fields once charged, to strongly radiate charge density - fabricating the field which will orient local water vapors into droplets. Cloud seeding is actually a primitive form of this. More advanced forms use - a highly charged capacitive chamber to piezoelectrically ring materials like calcite or calcium carbonate, or quartz sand - which them are spread into symmetry on the land to fabricate long wave converging lens like (rose like) structures to cause precipitation.

FRACTIONATION OF MAGNETIC LINES IS THE CHIEF CAUSE OF DROUGHT. Learn the simple physics of fractality versus fractionation - AND the psychology.

MONO-CULTURE CAUSES DROUGHT BECAUSE HARMONIC INCLUSIVENESS (fractality - which is required for anything to be alive) of CHARGE - IS IDENTICAL WITH THE RADIANCE GENERATED BY GENETIC DIVERSITY. Install extreme genetic diversity around your flower like labyrinth paramagnetic.

Learn to talk to the elemental forces.

Recognize how the magnetic dreaming lines of ancestors when tangled in the land - need sorting before rain can return. Ancient memories with great inertia must be made shareable / enter compression symmetry - before wetness (permission to touch) can return.